16mm was first brought out by Eastman Kodak in the early nineteen twenties, as a cheaper alternative to 35mm. The format enabled amateurs to create their own work, and so 16mm film production was born. People could also buy or rent movies, and this was another key element which lead to the increase in popularity of the new stock.
In the beginning, 16mm was not used by professional filmmakers, although later it became more common for them to do so. Famous films shot with the format include Clerks, The Constant Gardener and The History Boys. It became especially popular in television production, because the technology was lighter than 35mm, so it was easier to record news or documentaries.
16mm stock can be split into three types. Standard format has perforations on one side of the stock only, this means there is room for a soundtrack along the other side. The second format is Super 16, which has a bigger frame, There is no space for a soundtrack with Super 16, but it can be blown up into 35mm when using a projector. The Ultra 16 format enables you to change a Standard camera into Super 16 by doing it yourself.
Four hundred feet of 16mm stock usually creates about eleven minutes of screen time, whereas 35mm will produce around four minutes only. 35mm has a wider aspect ratio though, which means it has more space for imagery, creating a better picture quality. However, because of widespread use of televisions these days rather than large cinema screens, some people question the advantage of 35mm.
The primary suppliers of stock are Fuji and Kodak. When shooting, the camera needs to be loaded with film. Then a light reading needs to be taken to find out the exposure levels. This helps to work out which f-stop setting to employ, and therefore how much light to allow on to the lens. If you get that right, then you will have a clear image.
Many 16mm cameras were made as much as 50 years ago, so when purchasing one, be sure it works properly. There are many well known brands to choose from such as; Bolex, Krasnogorsk, Bell And Howell and Arriflex. A user's manual will help you enormously, if there isn't one with the camera when you buy it, you should be able to get one on-line.
It's also important to know that film stock can be expensive. With a digital camera, you can let it run and run, or do the scene over and over again, and it doesn't cost anything. With film, you need to prepare in advance, and only shoot exactly what you require. Also, with digital, you can record sound directly to camera. Film does not have this capability, sound must be added later in post production.
If you're making a fiction movie, then make sure your script is finished before production begins. Get the best actors you can, and if you can't get professionals, then use friends or family if you think they might be good in front of camera. Scout for beautiful locations too. Prepare everything correctly, and you will have a successful 16mm film production.
In the beginning, 16mm was not used by professional filmmakers, although later it became more common for them to do so. Famous films shot with the format include Clerks, The Constant Gardener and The History Boys. It became especially popular in television production, because the technology was lighter than 35mm, so it was easier to record news or documentaries.
16mm stock can be split into three types. Standard format has perforations on one side of the stock only, this means there is room for a soundtrack along the other side. The second format is Super 16, which has a bigger frame, There is no space for a soundtrack with Super 16, but it can be blown up into 35mm when using a projector. The Ultra 16 format enables you to change a Standard camera into Super 16 by doing it yourself.
Four hundred feet of 16mm stock usually creates about eleven minutes of screen time, whereas 35mm will produce around four minutes only. 35mm has a wider aspect ratio though, which means it has more space for imagery, creating a better picture quality. However, because of widespread use of televisions these days rather than large cinema screens, some people question the advantage of 35mm.
The primary suppliers of stock are Fuji and Kodak. When shooting, the camera needs to be loaded with film. Then a light reading needs to be taken to find out the exposure levels. This helps to work out which f-stop setting to employ, and therefore how much light to allow on to the lens. If you get that right, then you will have a clear image.
Many 16mm cameras were made as much as 50 years ago, so when purchasing one, be sure it works properly. There are many well known brands to choose from such as; Bolex, Krasnogorsk, Bell And Howell and Arriflex. A user's manual will help you enormously, if there isn't one with the camera when you buy it, you should be able to get one on-line.
It's also important to know that film stock can be expensive. With a digital camera, you can let it run and run, or do the scene over and over again, and it doesn't cost anything. With film, you need to prepare in advance, and only shoot exactly what you require. Also, with digital, you can record sound directly to camera. Film does not have this capability, sound must be added later in post production.
If you're making a fiction movie, then make sure your script is finished before production begins. Get the best actors you can, and if you can't get professionals, then use friends or family if you think they might be good in front of camera. Scout for beautiful locations too. Prepare everything correctly, and you will have a successful 16mm film production.
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